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That time again, folks—chime in here or at your own journal. I have no fun pictures or links—but there is TV for once.

What I’m Reading

The Far Side of the World, Patrick O’Brian (Aubrey #10) (audiobook). Almost finished with it, too. Some truly crazy shit happens in this one, almost none of which made it into the movie (for obvious reasons, mostly). There are a surprising number of comic episodes (surprising--see what I did there, in a Jack-like way ;)), which appear to be just POB flexing his writing chops, which are considerable. I’m not complaining; the whole thing is a delight. This is the one where, like Keats, they all declaim upon the delights of first reading Chapman's Homer. There is also a sailor named Macbeth.

When I started listening to these things, I couldn’t believe there were 21. Now, I can’t believe there are only 21. They seem to be dominating my year.

I haven’t cracked the spine of a print book since I finished the Kate Atkinson below. Busy and unpleasant week so far, sadly.

What I Just Finished

Treason’s Harbour, Patrick O’Brian (Aubreyad #9) (audiobook). Nothing to say about that I didn’t say last week. I liked this one, and was sorry to see Jack and Stephen leave the Mediterranean, even if they weren’t.

Life After Life, by Kate Atkinson. I liked this (witness the fact that I made it through all 500+ pages, unlike 80% of the books I start)—and I absolutely recommend it, especially as a beach or plane novel, or for a book club.

cut for length, not spoilers )

What I’m Reading Next

Dunno. Life After Life made me want to read more about the Blitz, so I have Sarah Waters’s Night Watch on hold at the library—but I’ve tried to read it before and found it hard going. I’ve read good reviews of The Woman Upstairs, so want to give that a try, too.

TV!

Now that you can stream Top of the Lake on Netflix, I feel I should make a proper rec for it. Watch it, if you can face the sexual violence—it’s very, very good. In the end, it’s harsh, but not dark, if that makes sense, with much more faith in human resilience and agency than lots of things I’ve watched lately. The acting is superb, and it’s an interesting meditation on the problem of justice outside the law. And, like I said a few weeks ago, for a show that is so centrally about rape, it’s very sex positive, with a broader representation of the shapes and practices of desire than, again, you’re likely to see elsewhere.

I also saw all of Broadchurch, which I also recommend, if you have a chance. The plot was so similar to Top of the Lake it was almost confusing. Of the two, however, Broadchurch was by far the more conservative and the more depressing. I’ve already ranted to [personal profile] thirdbird about the finale, so I’ll spare you, but up until the penultimate episode, it was damn fine TV.

I’m not sure I’m even going to say anything about the season/series finale of Southland (tragic? Inevitable?), but I’d love to hear what you thought of it, if you watched it.

What should I watch now? I seem to be out of miniseries.

Caught up!

Apr. 15th, 2013 10:34 am
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I watched too much TV yesterday, when I should have been doing more remunerative things. But, since I did, I thought I’d seize this rare moment of being caught up with four (4!) shows.

Okay, I am caught up with Southland, and...I kind of wish I wasn’t. Or, maybe I wish I’d been spoiled for the latest episode (5.9) before I watched it. spoilers )

I am also caught up with two mystery miniseries—just because I totally can’t wait to find out what happens next/who did it. Top of the Lake and Broadchurch are both variations on the old Twin Peaks formula of “dead child in a tiny community that is not as bucolic as it seems; outside detective (with demons of their own) arrives to solve the case." You've seen the formula many times—but these shows do it well.

Top of the Lake. There’s this moment in Patrick O’Brian’s Post Captain when, Jack Aubrey asks a young girl who's in a ship that has been taken by the French, "I hope I see you well. Quite well?" and the narrator points out that what he really means is "no too much raped?"

So, okay, that’s not a question you’d want to ask any of the female characters in Top of the Lake. ‘Cause you’d get some pretty explicit answers. The show has maybe the harshest worldview I’ve seen on TV—no one is trustworthy, violence is around every bend.

There are a bunch of reasons to watch it, though. 1) Elizabeth Moss is astonishingly good—strong, smart, vulnerable, violent, complicated, sexy. The other acting—particularly by Peter Mullan—is excellent as well. 2) The New Zealand scenery is as spectacular as you’d expect. The human scenery is also amazing: the show is probably worth watching for the tattoos alone. 3) Aside from the preoccupation with rape (or along with it?), the show’s take on sexuality is really interesting. You see a lot of middle-aged people, with realistically middle-aged bodies, having sex. This never happens on TV.

Another thing about Top of the Lake is that it makes the ongoing family angst of Broadchurch seem fluffy by comparison. This is the ITV series with the Dr. Who actors—David Tennant and Arthur Darvill—and a whole bunch of actors you’ve seen before somewhere. It’s total crack: everyone is alternately suspicious and sympathetic, and the seaside landscape shimmers endlessly. The last two episodes have been a little draggy (montages, slow motion walks, etc.)—but who am I kidding? I’d watch these guys stare moodily into the sea forever.

I am also caught up on Grimm, and I don’t have much to say about it, except that much as I like Juliette and want her and Nick to get together again, the Nick-Monroe domesticity is endlessly pleasing (plaid flannel bathrobe!) and I can’t believe there aren’t a million fics about it.

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